About "The Big City" by Anna Belle Staley
This chapter is excerpted from the
journal which Anna Belle Staley kept throughout her career. Ms. Staley is now 91
years old, but because of this journal, she still has a vivid portrayal of her
early years as a teacher.
This chapter captures Ms. Staley's enthusiasm
for her profession, and includes samples of her challenges and
triumphs.
She is honest in acknowledging certain struggles she faced as a
novice teacher. For example, she notes "history was a burden and I'm surprised
the children didn't rebel. Even so, we made it." It is somewhat ironic that she
saw history as a burden, since her journal is now a historic document!
In
the third paragraph, we see that Anna Belle did not build her professional
strengths by inheriting "gimmicks and techniques" from others or even by saving
her own lesson plans. Instead, she found that "New ways of presenting
information for pupil interest, and the honing of one's own skills must develop
and change." Indeed, Ms. Staley was a creative teacher who brought out the
creativity in her charges.
In the fourth paragraph, we learn that Ms.
Staley recognized the importance of the "personal touch" and that, when
necessary, she would sit alongside a pupil in order to "open the door of
understanding."
Ms. Staley adds an important human touch by including
anecdotes on how her innovative approaches were received by her peers and
administrators. She often heard the refrain "It's never been done before," but
never let that stop her.
Indeed, we see that Anna Belle's qualities were
recognized when a principal urged her to speak up in meetings: "You have good
ideas and I want you to contribute to the discussions." Detailed encounters like
this are often lost to memory, but fortunately, Ms. Staley recorded these in her
journal.
This chapter includes a wonderfully detailed description of a
project in which the pupils worked together to create a miniature model of the
Seattle Symphony Orchestra. And, she includes this sentence, "I'll never forget
the precision and accuracy demonstrated by a slower pupil in constructing the
harp, perfectly shaped of balsa wood, colored strings, and even the pedals."
This is a concrete example of the way Ms. Staley brought out the best in each of
her pupils.
When Ms. Staley answers her rhetorical question, "What is a
classroom?" we see her teaching philosophy spelled out. Indeed, this chapter
[and Ms. Staley's entire journal] has been an inspiration to many, including
"moi," your "web master."
While most of us have not kept lifelong
journals, we can still learn more about the craft of memoir by studying Anna
Belle's chapter. It is a personal account which records the ups and downs of
teaching and closes with some philosophical conclusions.
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